Simon Napier-Bell

Back to London (still don't remember).

Back to Devon.I go for a walk and don’t come back for eight hours. Everyone panics. ‘Weren’t you hungry?’ my mother asks when I’m finally found. ‘No,’ I tell her. ‘Lady give me gooseberry.’ (But I don't remember)

Back to London. Doodle-bugs, nights in the air-raid shelter in our garden, searchlights on Ealing Common.

The war's over. I’m sent to a posh private school (St Michaels, Montpelier Road, Ealing), and I’m given a bike for my birthday. Freedom! When I’m not at school, I ride off alone, all over the place, 8 hours a day.

Money problems in the family. I’m moved to North Ealing primary school in Pitshanger Lane where I quickly learn that my name is not ‘Nay-pier Bell’ - it’s ‘Nye-pier Bell’.

Finances improve and I’m sent to Durston House (posh boys’ school in Ealing) where I get beaten and bullied till I manage to lose the ‘Nye’ and get back the ‘Nay’.

Grammar School gets worse and worse, so I’m sent to Public School instead. Bryanston, in Dorset. Another quick name change - in just a matter of weeks I’m ‘Nay-pier’ again.

My jazz tastes move from ‘trad’ to ‘modern’. In the school holidays I discover the seedy clubs in Soho where it’s played.

The mutual dislike between me and the headmaster reaches its peak. I'm now the eldest boy in the school not to be some sort of prefect or monitor.

I leave school prematurely and start working as a semi-pro musician. All I want to do is go to America, but I’ll have to wait till I’m 18, then I’ll go at once. (“Oh yes – I’m sure you will,” my mother says sarcastically.)

I sell my record collection to pay the fare and on the morning of my 18 th birthday I tell my parents “Tonight I’m leaving for Canada”. I go by New York and spend the next evening in Birdland listening to Duke Ellington.

I work in a dockside Tavern in Montreal. A real shit-hole, but at least I’m a professional musician, and in North America.

Bored of it. Being a musician isn’t for me. I’ve realised I’m gay. Jazz musicians, it seems, are 100% straight. So I hitch-hike round the USA visiting every state.

Back to London for my 21st birthday. Instead of presents I raise £200 from family and friends and leave for Spain. I want to be a writer but I’m not sure what I should write about. So I go back to London.

I become an assistant film editor, working on documentary films. I start to make good money. I meet my first boy friend. We share a one room flat in Putney.

He causes me lots of problems. I diffuse them by adding two more people to our household - my brother and a girl who smokes a pipe. We move to a bigger flat. I’m now making good money in the film industry.

I work on ‘What’s New Pussycat’ with director Clive Donner and composer Burt Bacharach. I move to Bressenden Place, overlooking Buckingham Palace and watch the Queen feeding her flamingos.

I buy a Ford Thunderbird convertible and am very flash round London clubs – both the ‘in’ clubs and the ‘gay’ ones. I meet Vicki Wickham who books the acts for 'Ready Steady Go'. She suggests I get into the music-business. "How do I do that?" I ask. "I'll think about it" she tells me. Meanwhile I take her advice and find a small pop act to manage, 'Diane & NIcky'.

Vicki Wickham calls and tells me, "The Yardbirds are looking for a new manager." Very soon, that new manager turns out to be me. Then Vicki and I write the lyrics for 'You Don’t Have To Say You Love Me’ and Dusty Springfield gets it to No.1. Suddenly I'm big in the music-biz (but know bugger-all about it!).

The Yardbirds ditch me. Not surprising really. I’m engrossed in managing John’s Children and Marc Bolan. Not to mention being drunk, disorderly and degenerate in all the best clubs every night of the week, usually with Vicki and the American stars she books each week for Ready Steady Go.

Start producing records with Ray Singer. We go on trips to the States and Europe and make lots of money. We produce Peter Sarstedt, then his brother, Robin, then his other brother, Rick (Eden Kane).

Still working with Ray, we produce the Scaffold (with Paul McCartney’s brother Mike), Forever More (later, The Average White Band) and make a ridiculously fun concept album in Morocco.

Time to retire. (I’m bored of being ‘rich & famous’). I build a house for myself in the South of Spain, but living there bores me even more, so I set off for a bit of world travel.

Find myself in Australia and produce albums with Oz singer – Alison McCallum - then with Bobbi Marchini. I discover John Paul Young (Love Is In The Air) and make his first single, Pasadena, a song by Vanda & Young (The Easybeats).

Travel around the Far East and fall totally in love with all of it. Japan, Indonesia, Singapore, Malaysia. In England I meet Allan Soh, a Singaporean, with whom I will live for the next fifteen years.

Go to Spain and meet Junior, a Spanish pop star. We write a song together and I produce a single of it with him – ‘Perdoname’. Then go back to Australia for some more recording.

Back to Spain to see what’s happened to the single I wrote with Junior. It’s number one, so I decide to manage him and co-write his album. I take Allan to Spain with me and we rent an apartment in Madrid.

Give up Spain and travel all over the world with Allan, then we move to Paris before I head back to Australia for six weeks to produce a strange album with my strange friend Larry Asmore, a film composer. It is the Sydney symphony orchestra with Sydney's best rock rhythm section. Handel's Water Music becomes 'Heavy Water', etc

In London I take on the management of a new group, Japan. Allan learns hairdressing and we rent a flat in South Audley Street. Mostly, though, we live in Paris and I go to London just three days a week. Larry Ashmore and I repeat our Australia experiment, this time putting the Coldstream Guards together with a rock rhythm section that includes Jeff Beck.

Japan are a struggle. I sign them with Hansa, a German company setting up in London. But there’s no instant success. We make an album with Ray Singer producing. I also have a punk rock group – London.

Japan record ‘Life In Tokyo’ with disco-king Georgio Moroder. They start to make inroads in the UK. Allan Soh starts building a name by using chopsticks for perming and weaving.

Allan’s Singapore salon is a success. People fly there from America and Australia to have their hair done with his chopstick techniques. And in London, Japan make a great album - Gentlemen Take Polaroids.

Japan have their first hit with ‘Ghosts’ and do a sold-out tour of UK. I get a house in Bryanston Square. Allan moves to London and opens a salon in Knightsbridge. I meet Donavon and he moves in. Big tension!!

Japan break up. I meet Jazz Summers and we start managing Wham! together. They get a number one single and a number one album but then get into litigation with their record company.

Wham! settle their litigation and I spend the year going backwards and forwards to China, trying to set up a gig for them in Beijing.

Wham! play a concert in Beijing in April. Do an American stadium tour in the autumn. Sell a million copies of ‘Last Christmas’ in December (but only get to Number Two).

Jazz and I sell our management company. One of the new shareholders is connected with Sun City. George announces he wants to break up Wham! and go solo. We stop managing him

I take on a new duo, Blue Mercedes, who get a number one dance hit in the States. And a new boyfriend, Alec, who's brilliant, beautiful and argumentative. He's studying to be a lawyer and every meal becomes an intellectual challenge.

Donavon and I organise the Asian Music Awards – a sort of Asian Eurovision. I whiz endlessly round the world with CC Catch and Boney M trying to make the money needed to pay the Inland Revenue.

Looks impossible. Tired at the end of the year, I holiday in Thailand with James Fisher (who runs ASCAP in London) and Irving David (my lawyer). In Pattaya I meet Yo, who is still my boyfriend seventeen years later.

My companies go bust. After a Christmas trip to Thailand to consider things, I come back to the UK and also go bust personally. I move in with Allan who is now living in a flat in Redcliffe Gardens.

I form a new management company with Sir Harry Cowell. We take on seventies superstar rockers Asia, and eighties supergroup Ultravox.

Asia tour in America and Japan. Every time I can, I head back to Thailand, and Yo. But it’s boring being broke. Life on a shoe-string is not my style, yet it has its moments...

Out of bankruptcy, I can make money again. (“Not a moment too soon”, says Yo, who never meant to fall for someone penniless). I link up with James Palumbo at Ministry to help him set up in Thailand and Japan.

The novel's disastrous. Everyone who reads it says the same: 'Throw it away! Go back to management!' I throw it away and go back to Yo. I bring him to Europe for a holiday – better than slaving over a hot computer.

Another book? It’s inevitable - I don’t give up that easy. But this time not a novel. Literary agent Julian Alexander suggests a history of the music business. ‘Yes', I say. 'I should be able to knock that off in a couple of months.'

Julian does a deal for me and gets a good advance. I head back to Thailand where Yo and I greedily eat it all up and go on holiday again, this time to America. More fun than writing!!

Time to get on with the book. Yo moves to London where I finally get serious about writing.Yo tours charity shops coming home with endless warm clothes he’ll never need once we go back to Thailand.

The book gets good reviews. Yo gets his resident’s permit. I give up on Alsou and we head back to Thailand. We buy a substantial-size flat which allows Yo to experiment with interior design - lavish minimalism.

Back to Russia to manage Smash!! - two boy singers. One is an actor, playing Romeo at the Pushkin theatre. (Imagine Andrew Ridgeley playing at the Royal Shakespeare at the same time as Wham! were having hits)

Smash!! get ‘10 out of 10’ from all eight judges at Russia’s principal music festival - a guaranteed stepping stone to being Russia’s biggest pop act. But there are tensions brewing in the group.

Finally, Smash!! are too much trouble to bother with. Rather than manage anyone else I get down to serious writing and by the end of the year a new book is finished. Yo and I celebrate with a holiday.

'I'm Coming To Take You To Lunch' published March 2005. Start working with new rock group Brothermandude. I also start this website.

Brothermandude finish their album, release it in the USA and tour there. I travel around a lot - go to a few literary festivals, give a few talks, and as always eat lots of good meals. In London Yo and I have our 'civil ceremony' and in Thailand we're building a new house and I get very lazy about writing. Perhaps next year will be the year for a new book. Who knows?

The new house is finished and we move in. No excuse now for not writing, but then two months in hospital. Not so good. But by May I'm back to perfect and spend the rest of the year travelling - Asia, seaching for singing talent, and in Australia and Europe on holiday with Yo.

Starts with a short holiday in Chiang Mai. All over S.E.Asia, India, Japan searching out & signing talent. And a mad fortnight in Beijing with some crazy Dutch guys who could out-drink even me and who put on a charity concert for the earthquake fund in the Great Hall of the People. From Septemeber on, I stopped updating the front-page of the website everyday. Freedom!

A freezing cold lecture trip to the UK in January is followed with work on a film project with scriptwriter by Pat Gilbert and producer Orian Williams. In Spetember I start working with Simon Adriaan (one of the Dutch crazies from Beijing last year), building a new music company in Holland, which means going to Amsterdam one week a month.

Another freezing cold January trip to London and Holland, then on to Cannes for Midem. Film project coming along. Dutch company fizzles out mid-year. They run out of money. Never mind - settle down to write a new book. And Yo and I go off for a few holidays - like Beijing in June. Bloody hell - my feet hurt - Tianamen Square, Forbidden City, Great Wall, Summer Palace - it's walk, walk, walk.

After the New year, Simon White comes to stay at last - been promising for years. Give up on the book - writing is just too damned boring - sitting alone in front of the computer all day. This year can be a business year, I'll leave the literary stuff till later. Take up managing Brett Neal -brilliant contemporary artist. So I move into the world of art instead of the world of pop. Well at leat with art you can touch it and feel it - not like those silly copyrights.

Sir Harry and I get together again after a pause of over ten years. The project is twofold - his new company Papa Entertainments, a British PLC, and an idea I have for a rock show - the greatest rock musicians still around all combining into one group and playing all the greatest rock hits of the last forty years, and we'll call it Raiding the Rock Vault. We spend the whole year on it and finally put on a one-off presentation at the Aztec Theatre in LA. Great response, but can we actually get it up and running?

Raiding the Rock Vault opens at the Las Vegas Hilton (where Elvis used to do his shows), now known no longer a Hilton, known simply as the 'LVH'. Brilliant show, brilliant response. In Europe I set up a new company with Dutchman Bjorn de Water, Snap-B Music, to manage artists and music rights, and to offer consultancy.

At last I've finished the book I've been working on for three years - Ta-Ra-Ra-Boom-De-Ay, a history of the business of popular music. Massive tome, far too much work. Launch party in June, publication date start of August. At the same time Rock Vault has been voted Number One Show in Vegas by Tripadvisor for three months running. Seems like a good year.

Busy, busy year. Paperback of Ta-Ra-Ra launched in June, in the summer I directed a TV documentary for Frank Sintra's 100th, and for the BBC I made a programme about rock managers - Music Moguls. In Las Vegas, Raiding the Rock Vault rocks on. Next year we'll open Raiding the Country Vault in Branson, Missouri.

Directed two more films this year - 27 Club, about mental health in the mnusic business, and 50 Years Legal, to mark the 50th anniversary of the decriminalisation of homsexuality, in which I interviewed just about every gay British celebrity. Both films for release next year.

50 Years Legal released and received well. Raiding the Rock Vault had its 1000th show in Vegas, and Raiding the Coutry Vault had its 300th show in Branson, Missouri. Yo and I had our 28th year together.

A mixed year including recording a book for Audible, You Don't Have To Say You Love Me. I chose to do it at home where the only place the accoustics were good enough was in the clothes closet with the aircon turned off. A very sweaty couple of weeks.

Worked on documentary about George Michael for release in 2020. Interviews with Stevie Wonder, Rufus Wainwright, Stephen Fry, Sananda Maitreya and many others. Amazing just how much George was loved and respected.

Not a great year - Yo and I are in lockdown for Covid-19 at home in Thailand. Not quite as bad as it sounds - we have a pool and nice weather, and I'm doing music consultancy, working on film treatments and writing songs.

Yo and I fly to London to get the Covid vaccine. We rent an apartment, stay for three months and I film a documentary for Dustin Lance Black. Then make a deal with Unbound Publishing to write a new book, and come back to two weeks in quarantine.

The new book is finished and published with an everyone-who's-anyone party. In the morning Yo and I update our civil ceremony to a marriage. So at the party we were able to announce "Today we got married." A very happy moment.

A busy year back filming again. Directing a film about the Marquee club with my old friend Ian Penman producing. Interviews include Rick Wakeman, Mark Knopfler, Tom Robinson, Phil Collins, Toyah, and many more.

More interviews for the Marquee film. Then for a film about Wham! visiting China in 1986, and a speaking engagement in Indonesia for a government-led event about emporwerment through music, which was mostly partying and eating.

The year started with a hip replacement (very nasty) then with presenting an award to Phil Collins in Switzerland, interviewing Kenny Jones, and very very sadly, the death of my sister. It ended with a trip to Japan to promote my George Michael film.